Here’s a heck of a thing to have just lying about, a late-WWII era M1 carbine fitted with an infra-red lamp and scope. Not a “sniper” scope, but an early night vision system. Cumbersome as all get-out, but apparently it worked, much to the brief surprise of a number of Japanese soldiers who tried to infiltrate Army and Marine positions under the cover of darkness.
The third of three pieces of vintage aerospace concept art – the actual paintings, not reproductions – that I recently procured from ebay has arrived. This is a 1960’s Hughes concept for a “Hot Cycle” Rotor Wing VTOL aircraft. The prior two – a 1970’s Bell AMST concept for a four-turbojet C-130 test aircraft and a 1980 Bell concept for a hovercraft to allow fighters to launch from bombed-out runways – were just able to be scanned on my flatbed scanner. But the Hughes painting was much larger, so I digitized it via photography, resulting in a 10,878X7500 pixel (about 36X25 at 300 dpi) image. Several iterations of the image – the stitched-together final image, and a version that was fade-corrected to make it look more like the actual painting – have been uploaded to a Dropbox folder with the Bell art.
These paintings are currently framed and will be hung on my wall… for a time. At some point my plan is to donate them to a good museum. The Smithsonian NASM is the obvious default, but I’m interested in alternatives. A museum that would *want* these and would protect yet display them would be ideal.
If you happen to see other aerospace concept art on ebay that’s not going for *insane* amounts and you’d like to see it preserved… let me know. I now have four pieces (not counting things like blueprints); not a great collection by any measure, but it’s something.
I am going to continue to work on digitizing this painting. I’ve been trying to find a local flatbed scanner big enough to scan the whole thing all at once; if I can get that done, the results will also be uploaded to the Dropbox folder.
If you’d like access to the folder – and thus the high-rez images, as well as some PDF documentation I’ll be adding – here’s an opportunity to do so. These paintings were not cheap to secure, so there’s a bit of a charge ($25):
Procuring these was not cheap, but now they are saved for posterity.
If you would like to help fund the acquisition and preservation of such things, along with getting high quality scans for yourself, please consider signing on either for the APR Patreon or the APR Monthly Historical Documents Program. Back issues are available for purchase by patrons and subscribers.
I have hopes that at least some of these – Star Wars and Star Trek – can be returned from the dead. But to do so would require both a virtually complete change in “leadership” (i.e. those who are currently in charge of the IP’s) and an adequate passage of time. They should be left to sit quietly for a few years, in which time the hatred that recent misadventures have engendered in the fandom could cool off, and better ideas could be gathered.
I remain of the opinion that what the owners of Star Trek need to do are two main things:
1) Gather all the rights back into one place, allowing *real,* and not “25% different,” Star Trek to be made.
2) Create an anthology series. But *not* one helmed by a bunch of suits. Instead, open it to the fandom. Have anything from lone writers to whole amateur production teams (“Axanar,” “Continues,” etc) give them pitches. Those that seem pretty good get funded to make a small number of episodes… one to four, say. Something that could be a series. Then make a season with up to perhaps ten wildly different stories. One set on a ship at the same time as TOS, using actual TOS designs. One set in the movie era. A Klingon or Vulcan-specific yarn. A post-Voyager show. What-the-frell-ever. If, out of those ten shows, one is a smash hit? It gets turned into a full series. If three or four of the stories are wildly popular? Then great, now you can have four series that are popular right out of the gate.
Sure, there are counter-arguments. One big one is that ten wildly different stories would require ten wildly different sets of costumes and props and actors and starship bridge sets. Granted. But: do them sequentially and repurpose as much as possible. Do as much as you reasonably can with virtual sets. Don’t go nuts with the budget; let it be known right up front that the budget for these sort of things is limited. The fandom will accept that, and perhaps embrace it: I will die on the hill that TOS 1701 is the best starship design to date, and that both DS9 and Enterprise showed that the old-school bridge – which can be rented in New York State, IIRC – still looks awesome. You don’t need STD-level production standards for these little mini-shows. Because what you’re selling isn’t the effects; nobody complains that STD or STP have crappy effects and production standards – you’re selling the concept, the characters, the plots. If just one of these lower-budget short subjects knocks the viewers socks off with characters on par with Kirk and Spock and McCoy, *then* you can lavish an effects budget on it reasonably secure in the knowledge that things should go well.
Hell, I even wrote a short story a year or so ago set on a Klingon tugboat. Is it good? Dunno. Probably not. But if those in charge of Star trek seemed like they actually cared about Star Trek again… hell yeah I’d turn it in. There’s even my odd little “Artifact L-374-Alpha” thing from… holy crap, exactly one year ago today. Weird. OK… Anyway, that would likely make a poor basis for an ongoing series, but a season-long miniseries? Maybe.
Is such a thing likely? Sadly, no. So we’ll have to live with murdered franchises for a while, being dangled before us on strings like marionette zombies.
This should prove to be an unceasing source of entertainment.
And if this pans out on a large scale, Twitter will *already* be far better:
How to deactivate your Twitter account https://t.co/KVLIDkfWBg pic.twitter.com/IWg3Oh1BJp
— The Verge (@verge) April 25, 2022
… and at the nearest gun store. Something like this, an exceedingly rare complete Borchardt “kit,” would make a fantastic subject for replicas. I have high hopes that 3D metal printing/CNC milling will make replication of odd designs like this possible. It would in no way whatsoever be a practical sidearm; the very first commercial semiautomatic pistol from 1893 can hardly be expected to be capable of comparing with a modern design like the M1911. Still… it’s cool as hell.
It’s impressive if nothing else. Ukrainian choppers attacked the region of Bryansk about a week and a half ago… if Ukrainians did it *again,* this would *really* indicate a massive series of failures on the part of the Russian military.
An interesting summary of the American career of a Russian-speaking comedian, one Nurlan Saburov. I was previously unaware that there was much of a market in the USA for comedians to come here and go on tour doing their stand-up *in* *Russian,* but live and learn. Saburov is apparently really popular in the Russian-speaking world, and his tour through the USA was scheduled well before Certain Recent Events. But once Certain Recent Events kicked off… Ukrainians in the audience started demanding that he address the Events. It does not go well.
This is a strange movie. It’s strange on purpose, though. It is not a fantasy movie like “Conan the Barbarian,” which it has been compared to; but it has a lot of fantastical elements based on Norse spiritualism. Characters get whacked out on shrooms and have visions; Valkyrie show up to carry people to Valhalla; an invasion of a burial mound involves a fight against a draugr; magical seeresses show up and dispense wisdom; dead folk give advice; magical swords. But the way it’s filmed, it can be argued that none of these magical elements are *real,* but instead are the results of imagination and hallucinations.
What’s not hallucination is the rather visceral violence shown. “The Northman” is a violent flick to be sure; lots and lots of people have horrible things happen to them. And most of the people who get hacked and stabbed aren’t villains or warriors, but just regular schmoes who live in a world red in tooth and claw. And that’s not too unrealistic: up until on the order of a century ago most people on this planet could expect to encounter – and perhaps be done in by – violence. The “hero” of the movie is not a saint; he partakes in raids on settlements meant for nothing more noble that stealing people for slaves… and killing their children. He’s not a “good guy,” merely the protagonist. There’s a lot of “Yikes” here.
That said: the movie is in its way damned awesome. The cinematography, the scenery, the badassery and the WFTery are all entertaining as Hel.
It seems unlikely that it’s going to be a blockbuster; it may well not even be a financial success. It cost around $90 million to make, but it has so far made around $12 million (domestically) on the opening weekend. When I saw it on opening day, there were a grand total of three of us in the theater.
Now, one way to determine the value of something is to see who its enemies are. And lo and behold, “The Northman” has people who are opposed to it, as exemplified by this article:
The problem the author has with the movie is that this movie appeals to “the far right.” That it has Nordic symbols, that the men are masculine, the women feminine, and, perhaps worst of all, a movie set in 9th century Norway, Russia and Iceland features exclusively Scandinavian and Slavic people. Where are the Africans and Indians and Chinese and Mexicans? Not to be seen here… because they didn’t actually exist in 9th century Norway, Russia and Iceland. The author then goes on to say that “The Lord of the Rings” and “Braveheart” are tainted by white supremacy by not having The Narrative-approved stunt casting. The funniest thing of all is that the author despairs that *any* movies might appeal to “the far right,” while apparently either ignoring or perhaps approving of the vast pile of movies and TV shows that are made specifically to appeal to “the far left.” In fact:
By this stage, in fact, film-makers ought to have realised that if the far right doesn’t hate your film, you might be doing something wrong.
A similar hate-piece with a truly entertaining headline:
“Starring Nicole Kidman?” It goes on:
White supremacists have claimed ownership over the new Viking Hollywood blockbuster The Northman, which stars Nicole Kidman and Anya Taylor-Joy.
Ummm… yeah, those two are in it, but neither is the star of the movie. The star of the movie is a *man.* You know… the Northman. This article goes on and on, including tweets from random nobodies, to claim that this movie somehow advocates for Nazism and white supremacy… based on nothing other than the fact it has a bunch of white people in it.
A movie that is historically accurate, or accurate to the lore or authorial intent of the original subject, is “catnip” for the far right. This makes it clear that to appeal to the left, a movie should lie, to twist, to distort, to fill itself with leftist propaganda subtle or gross. Perhaps the author should consider that he’s the baddie.
Go see “The Northman” and simultaneously enjoy a few hours and irritate some leftie-loons.
Yow. Sounds like a zombie apocalypse. I suspect Certain Politicians in the west are nodding appreciatively and taking notes…
What the?? This video taken yesterday in Shanghai, China, by the father of a close friend of mine. She verified its authenticity: People screaming out of their windows after a week of total lockdown, no leaving your apartment for any reason. pic.twitter.com/iHGOO8D8Cz
— Patrick Madrid ✌🏼 (@patrickmadrid) April 9, 2022
Another view. People weeping pic.twitter.com/yCtzB8A3qa
— Matthew Gartrell (@GartrellMatthew) April 9, 2022
And from earlier:
As seen on Weibo: Shanghai residents go to their balconies to sing & protest lack of supplies. A drone appears: “Please comply w covid restrictions. Control your soul’s desire for freedom. Do not open the window or sing.” https://t.co/0ZTc8fznaV pic.twitter.com/pAnEGOlBIh
— Alice Su (@aliceysu) April 6, 2022
Gotta respect the hustle. And pay special attention to the very last thing said.
Almost cried not gonna lie pic.twitter.com/N1W6IinZmG
— JK MOLINA (@OneJKMolina) April 22, 2022
Capitalism at its finest. I’m sure there are those who will cry about this being “toxic masculinity” somehow.