Apr 262019
 

So driving along I listened to Science Friday on NPR today. They had a segment about poetry based on science, a concept which at least seemed like it aught to be promising. But the poems they read… wow, just, just awful, including one by the worlds most over-rated hack, Maya Angelou, which sounded like so much word salad. (Rather tellingly, both the description of the “poem,” that it was “an absolutely stunning poem,” and the title of the poem, “A Brave and Startling Truth,”are the sort of SJW buzzwords that make you sit up and take notice that you are about to be barraged with self-important nonsense.)

Everything they had on display sounded like the “poets” not only had the level of science understanding of your average Star Trek: Discovery writer, but the poetic skills of a lobotomized Speak N Spell. This crap is to “poetry” what low-end rap lyrics are to opera. I know art is subjective, but shouldn’t poetry sound, you know, like poetry, and not the stream of consciousness gibberings of someone whose experiences with science is restricted to “experimenting” with shrooms?

If you want to listen to this drivel… well, here ya go.

Gaaaaaaaggghhhhhhggkgkgkgkgkkkktttpppbblblblbllbtttt…..

 

Gah. I needed to wash this gak out of my brain with something that actually *could* pass for “science poetry,” both the words and the images.

Anybody have any favorite poetry about science that is actually poetry, actually about science, and actually good?

 Posted by at 3:37 pm
Dec 172018
 

(via the blog of one David Thompson)

Who doesn’t like themselves some good poetry? Well, as it turns out if you don’t like *all* poetry, you’re committing an act of violence:

Mister Guzman, who has apparently deleted his twitter account after accusing people who don’t like his poetry of having “toxic masculinity,” wrote this… “poem:”

My heart was a dystopian
berry budding in water tiger
lilies claiming
hocus-pocus wonder. I was broken
vanity, vixen vase, victorious tête-
à-tête — the Scrabble game nobody won
because the tiles aspired speculums.
Ummm…
I know that art is subjective. But… am I alone in thinking that this seems less like something an artist slaved over and more like something that was produced via a simple app that selects words out of the dictionary at random? In any case, the “poem” continues:
Twerking in church,
I outperformed the candles
diarized in the simpleminded annexation.       Wussup,
Blastoise
with the veiniest homebound
pika-pika aim?
Wussup, Sims
Chumbawamba Family Portrait Simulation?
St. Sunny of the Sissies
beheld the bukkake throng

Ummm. What. WHAT.

And that’s not all of the “poem,” it goes on for a while more. But you get the idea.

The dictionary definition of “art” leads off with:

the quality, production, expression, or realm, according to aesthetic principles, of what is beautiful, appealing, or of more than ordinary significance.

That doesn’t really seem to apply to the random word salad posted above.

Now, I’ve never heard of this feller before, and I bet you haven’t either. He’s hardly the poet laureate of the United States, so why pick on him? Well, not because I have any interest in the man; after I hit “post,” unless there are comments responding to this I’ll probably put the whole thing out of my mind and never think of him, his terrible opinions or terrible art ever again. But there will always be this tiny nattering thought in the back of my noggin reminding me that randomized gobbledygook such as this will not only find a market, but a market of prattling nincompoops with outsized cultural impacts, ready to declare anyone who doesn’t like this cheap dreck to be not only the lowest form of ill-bred philistine but also very likely a fascist.

Best case scenario: it turns out that Mr. Guzman doesn’t actually exist. He is, in fact, a hoax, fabricated by some jokesters wishing to prove that the modern poetry scene has so debased its own standards that it’ll glom onto anything, no matter how talent-free, so long as it displays sufficient wokeness. Sadly, I don’t think that’s the case here.

 Posted by at 4:37 am
Dec 192013
 

I’ve recently brought up a few movies that I think touch on the popularity and/or importance of space exploration (the trailer for “Interstellar” for importance, the film “Gravity” for popularity). I was reminded of a 2001 TV commercial for the financial company AIG that impressed the hell out of me back in the day, though it didn’t seem to have *squat* to do with… errrr… whatever it was AIG did. But by combining the whiny cowardice described in TS Eliot’s poem “The Love Song of J. Alfred Prufrock” with the boldness and daring of the early space program, I thought it produced a powerful pro-space-exploration message.

(Yes, I know I’ve posted a YouTube link to this before. Bite me. I like it.)

[youtube At6F0M4bSP8]

 

 Posted by at 11:42 pm
Mar 232013
 

Poetry time. Why not.

“Ulysses” by Tennyson is one of those poems that has become part of common parlance, or at least a few bits of it have. It  is written as a monolog by King Ulysses of Ithaca, of “Iliad” and “Odyssey” fame. Set long after the events of those books, Ulysses is old and bored out of his mind by  the day-to-day life of a king. He yearns to get Back Out There and adventure again. When Tennyson published this back in 1842, this was considered fully understandable and praiseworthy, but these days it is seen as a character flaw… he should be more devoted to his duties at home. While I can see both sides to that, I can see that this poem reflects basic human nature. We all know old soldiers who, decades after last being on the battlefield, still recall their time in hell with an odd wistfulness; horrible though it may have been, there is a nostalgia for it. Excitement and adventure, not to mention the doings of great deeds, hold considerable sway over the minds of men.

The space program has taught us this lesson again. How many early astronauts, up through the Apollo program, went to the literal heights that man could achieve, and then fell to Earth and landed in a depression or a bottle?

“Ulysses” ends with some of the greatest, most inspiring lines in the English language. We may not be the heroes of old, but damnit, we will do our best.

I’ve highlighted some of what I think are the best lines…

—————————–

It little profits that an idle king,
By this still hearth, among these barren crags,
Match’d with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel: I will drink
Life to the lees: All times I have enjoy’d
Greatly, have suffer’d greatly, both with those
That loved me, and alone, on shore, and when
Thro’ scudding drifts the rainy Hyades
Vext the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honour’d of them all;
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am a part of all that I have met;
Yet all experience is an arch wherethro’
Gleams that untravell’d world whose margin fades
For ever and forever when I move.
How dull it is to pause, to make an end,
To rust unburnish’d, not to shine in use!
As tho’ to breathe were life! Life piled on life
Were all too little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.

This is my son, mine own Telemachus,
To whom I leave the sceptre and the isle,–
Well-loved of me, discerning to fulfil
This labour, by slow prudence to make mild
A rugged people, and thro’ soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.

There lies the port; the vessel puffs her sail:
There gloom the dark, broad seas. My mariners,
Souls that have toil’d, and wrought, and thought with me–
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads–you and I are old;
Old age hath yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
‘T is not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Tho’ much is taken, much abides; and tho’
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

 Posted by at 4:10 pm