“The 13th Warrior” was, shockingly to me, one of history’s great box office bombs… budget was about $100 million in 1999, but it only made about $33 million domestically, less than that foreign. Counting marketing, it lost well over a hundred million dollars. I’ve never understood why this was so; it was a substantially badass movie, based on a Michael Chrichton novel (“Eaters of the Dead”) not long after the success of “Jurassic Park,” starring Antonio Banderas. It had Vikings fighting Neanderthals. What was not to like? Well, apparently the movie going public wasn’t interested. My ass was in the theater on opening weekend.
It had a DVD release, but never a valid Blu Ray. I’d be all over a 4K release.
An “Automat” was a style of restaurant that was basically a great big vending machine. A wall, or part of one, was covered in little cubbyholes with locked doors; behind each door was a piece of food that the customer could see and pay for. Feed in your coins, the door would pop open and you’d get your sandwich or apple or slice of pie or whatever. Door closes, and the guy working on the *other* side of the wall puts a new one in the cubbyhole. Used to be real popular, but they faded away a couple generations ago.
They seem to be making a comeback, and it’s really not surprising. The video below is an interview with the owner of an Automat franchise; economics is driving this, as three employees can service 250 customers a day, where a regular restaurant would require six. And of course as the minimum wage continues to be driven higher and automation continues to be driven cheaper, soon enough the production of those individual food items will be automated and the cubbyholes will be filled by a robotic arm.
There is another aspect that makes the automat format attractive: this separates the staff almost entirely from the customers… which makes them harder to rob. Additionally, other than the individual cubbyhole doors and things like windows and furniture, violent morons have little to reach that they could destroy. BLM or Antifa rioters come by to smash up the joint? No cash registers or computers or stoves or anything else to reach, so long as the staff doors are secure. The food-doors would be small and mass produced in vast numbers; they would likely be both cheap and durable… and stocked in large numbers in a few boxes in the back. A Mostly Peaceful Protest sweeps by, you’re closed for a day while the staff swaps out doors, and then you’re back in business. There are those customers who are provoked to violence not because of politics, but because they are crazy or stupid; they order the wrong thing, or their order is screwed up, and they lose their minds and started screaming and flailing. With an automat, they see what they’re going to get before they pay. So long as the mechanisms work, there *should* be reduced incentive for violence. Of course, some people are just going to go buggo anyway, but here humans are largely removed from the other side if the equation.
So long as we’re bringing back things from the Depression era, can we swap out Brutalist architecture for Art Deco?
The forthcoming “The Creator,” due to hit theaters in September, *looks* awesome. Long have I and many others bitched that Hollywood seems incapable of doing something that’s not a sequel, prequel, reboot, remake or based on an existing IP of some kind. But here’s one that seems to be entirely original, and it *looks* fantastic… on a budget of a relatively paltry $86 million. Now, we’ve been stung before… for example, “Elysium” looked, early on, like it’d be something fantastic but it turned into meh. “Interstellar” similarly had mountains of potential, much of it squandered by being both depressing and gibberishy.
If “The Creator” is actually good, I hope it does really well. Unfortunately, garbage often does fantastic business, and good stuff gets left behind.
… but just wait until these damned things get a little smarter, wake up and become self aware. Them and those friggen’ Furbies will be the death of us all.
Photos have emerged from the next Disney live action remake of one of their classic animated films, “Snow White.” You know, the one about the Germanic princess with skin so white it looked like snow, who ended up running around with seven dwarves? Well… about all that, Disney has decided to continue the unprofitable trend of de-whitening European folk tales.
There are claims that these *aren’t* the actual “dwarves.” But given that “Snow White” is to be played by a Hispanic woman… why assume that these *aren’t* an accurate depiction? And remember, Hollywood is hardly above lying to the public’s face. Remember when Benedict Cumberbatch *wasn’t* playing Khan? Or when all the remakes and reboots of classic animated series were supposed to be faithful continuations that the existing fans would recognize, love and appreciate? Yeah… lying liars who lie have a tendency to lie.
And… it turns out that those claims of “fake” are probably themselves fake:
Asked for comment on the brouhaha, a Disney spokesperson initially told The Daily Beast “the photos are fake and not from our production” and added that the Mouse House wanted a correction from the Mail.
Hours later, however, Disney’s PR shop completely backtracked and said the photos were from the production but were not official “photos”—chalking up the earlier statement to a misunderstanding.
Dear readers, consider this: somewhere out in the multiverse there’s a version of the Disney corporation that decided to do a live action remake of “Snow White,” and decided to try their hardest to make it look like the original animated classic. And somewhere else out there is another Disney that decided to do a “Snow White” remake that was faithful to the Grimm tale as written. And somewhere further down the multiverse line is a version of Disney that decide to say “Fark it” and make a truly messed-up remake that swaps out all the “disneyfication” for hard-core “let’s make this thing like Germans a thousand years ago would have made it, with friggen’ terrifying monsters and death and horror straight out of Teutonic legends and myths and folk tales,” likely directed by del Toro with the aid of the ghosts of Lovecraft and Giger.
Any one of those is something I would have been interested in. *This* worlds Disney? Nah.
Note: the “dwarves” from Norse/Germanic folk tales weren’t just short humans. They were a different order of being entirely.
Anyway, Hollywood is basically on strike now, with writers and actors on the picket line. I imagine this might effect “Snow White,” as well as every other movie and TV show out there. But you know what? Who friggen’ cares. Things have gotten so slow in Hollywood that people have come to expect *years* between seasons of shows… seasons with a tiny number of episodes. long gone are the likes of *good* Star Trek series where you could expect 20+ episodes every year. now… Eight? Ten? And with many shows, the gap between seasons lasting a number of years. When did season 3 of “The Orville” end? When will season 4 start… if it ever does? And let’s face it: there are a metric fark-ton of old movies and shows available for streaming, more than enough to tide most people over for the most extended of strike. And beyond even that… YouTube and the like are loaded to the gills with lone creators who are far more entertaining than quarter-billion-dollar productions. So you go right ahead and shut down production, Hollywood. if it strangles nonsense like “Snow White,” so much the better.
How long before I’m able to say “Hey, AI, make me a four-hour faithful adaptation of ‘Snow White’ Using the production team from “The Lord Of The Rings” and starring Marylin Monroe as Snow White’?” Because that’ll be the end of Hollywood.
Another instance of “this is not the dog to be afraid of.”
There are good reasons to fear Huskies: specifically, they can pierce your eardrums with the noise they can produce. But attacking you? They are not particularly aggressive, and are much more likely to be interested in *play* than fighting. Very LOUD play, of course…
The pendulum *may* be beginning to swing the other way on some issues. For a number of years the bulk of the populace has been cowed into obedience over LGBTQ/Pride stuff with threats ranging from being called names to losing their jobs… but more and more people are ceasing to care. Some of this is doubtless due to the over-use of Cancel Culture tactics. And a lot of it is doubtless due to people being fed up with the utter insanity that many weirdos are trying to normalize. “Drag Queen Story Hour” may go down in history as the moment when people, parents of small children in particular, said “enough.”
The video below describes a *lot* of recent events, both of the weirdos trying to threaten people for not going along with the ideology, and with normal folk pushing back.
Disney has done some amazing things with Star Wars since buying the property. In short, Disney turned Star Wars from a license to print money into a series of disappointments and flops and failures. These are generally well known… how “Solo” was the first Star Wars movie to actually lose money, how the sequel trilogy PO’ed the fans and got progressively less profitable, how “Galactic Starcruiser” shut down after only a year, how the various TV shows have ranged from occasionally quite good to generally awful.
But then there’s “The High Republic.” This was a brand-new income stream for Disney, set 200 or so years before the movies. The Jedi were supposedly at their prime, the galaxy was at peace, everything was awesome, and Disney would make a mountain of money from the books, comic books, movies and TV shows set in that timeframe. Disney spent something like a billion dollars promoting “The High Republic”
Chances are pretty good you’ve either never heard of THR, or you’ve forgotten that it existed.
The video below goes through the sales numbers for the books and, wow, they’re bad. The best seller – the first book – sold over 150,000 copies. The latest book sold less than 10,000. Now, I’d be pretty pleased if one of *my* books sold a mere 9,000 copies. But then, unlike Star Wars, nobody knows who I am. Unlike Disney, a billion dollars wasn’t lavished on publicizing my books.
Even that initial 150K seems pretty sad when you consider that Timothy Zahn’s “Thrawn trilogy,” novels published in the early 1990s which revitalized Star Wars at the time, and which were “de-canonised” when Disney bought Star Wars, have sold five million copies. Specifically, they’ve sold five million copies *since* Disney bought Star Wars. The Thrawn trilogy sold something like *fifteen* million copies before that.
The thumbnail image chosen for the video below is appropriate: it shows what I presume to be one of the main “High Republic” characters complete with a modern Mental Illness Haircut. That’s who they marketed to, not the existing Star Wars fanbase. So they didn’t get the fanbase interested. One of the main authors actually told the potential customers that if they didn’t like her hyperactively leftist politics, don’t buy her books. “Okey-doke” the fanbase said.
Me? If you agree with or disagree with my politics… buy my books and other publications. If you like aircraft and/or spacecraft, you’ll like what I’ve produced. My politics and your politics will barely enter into it.