Feb 202024
 

In 1992 NASA had a flurry of PR about the “First Lunar Outpost” concept which would see the US return to the moon using large lunar landers launched by a single Saturn V derived heavy lifter. A fair deal of concept art was released; much of it used the relatively new technology of computer generated imagery. Five of these images recently appeared on ebay as 16X20 prints; what the heck, I went ahead and bought them. They arrived today and I was pleasantly surprised at the production quality. They weren’t simply printouts glued to cheap foamcore, but instead are very glossy, hard plastic bonded to higher quality foamcore.

I believe I’ll have these professionally scanned and made available to APR Patrons/subscribers.

 Posted by at 3:46 pm
Jan 262024
 

Styropyro takes a an off the shelf 2 kilowatt fiber laser welder/rust remover and makes it a long range laser sniper weapon. There are a  number of issues… the mount is rickety and there’s no scope, primarily. But it’s remarkably capable, burning holes relatively quickly through steel plate and cinderblocks.

 

This would seem to indicate that a refined version with a better mount, better aim and a much faster reaction time/slew rate would serve as a dandy anti-drone system, easily mounted to something like a Hummer, small truck or as an add-on to armored vehicles. If one kid out in the boonies can do this on a YouTuber budget, I’m left to wonder why the Russian military *hasn’t* done it on a large scale.

 

 Posted by at 7:41 pm
Jan 222024
 

With all the little publications I’ve written and illustrated, and all the years of blogging ABSOLUTELY BRILLIANT political opinions and the like, it seems that at least *one* of my efforts will go down through the ages: my design for the Orion Battleship. We know to a fair certainty that such a craft was designed in the early 1960s, and that a mockup the size of a car was built; we know some of the components and features of that design. But other than that… we don’t know much. The overall size and configuration are unknown. So, fifteen years ago when I was working on an article for Aerospace Projects Review about large Orion vehicles, I went ahead and made a speculative reconstruction design. I did my best with what was available… and in the years since, nothing seems to have come out to refute the design. I do not contend that the design is an accurate reconstruction; I was never able to get in touch with anyone who knew the Battleship design first-hand to confirm my reconstruction. I could well be *badly* wrong, especially since the descriptions of the original design tend to be second-hand. One day we might find out for sure.

But in the years since I showed my design to the world, I’ve seen it recreated here and there. It seems to be the accepted Actual Design.

Huh.

Behold:

That second video uses a model based on my design, more renders of which are HERE.

Shipbucket:

A purchasable 3D printed, lower fidelity copy of my design on Etsy:

 

My renders – unimpressive even by 2009 standards – even made it into meme format:

If you want to see the Orion Battleship as I designed it in its original format, check out Aerospace Projects Review issue V2N2.

 Posted by at 12:41 am
Dec 182023
 

Movie and TV remakes are often garbage. But covers of songs? Sometimes the remake is a triumph. Some examples:

 

“My Body Is A Cage” by Arcade Fire, then covered by Peter Gabriel.

“Smooth Criminal” by Michael Jackson… then perfected by Alien Ant Farm.

 

“Hurt” by Nine Inch Nails. It was good… but what Johnny Cash did with it is astonishing.

 

“Tainted Love” by Gloria Jones from 1964 was utterly eclipsed by “Soft Cell’s” 1981 cover.

 

Cylon and Garfunkel’s “Sound of Silence” is peak 60’s pretentiousness. But Disturbed’s remake kicks substantial ass.

 

David Bowie’s “Heroes” is OK. Peter Gabriels’ cover gives it emotional depth wholly lacking in the original.

 

And… what the heck. “All Along The Watchtower” by Bob Dyna was meh, the Jimi Hendrix cover was pretty good, but Bear McCreary reworked it into the best season-ending cliffhanger music ever.

 

 

 

 Posted by at 4:03 am
Dec 022023
 

On one hand, the utility of this ad for selling Chevy’s seems limited. After all, it doesn’t tell you much about how they perform or what they cost, though there is the suggestion that they can last a long time. On the other hand, the nature of the ad is such that people will be talking about it (and they are), and any publicity is good publicity. On that latter score it’s a remarkably effective ad, very effectively mastering the “holiday tearjerker” trope. If this *doesn’t* work you up a little, I can only assume that “Jurassic Bark” left you unmoved and the Iron Giant’s final “Suuupermannn” was met with a shrug.

 

 Posted by at 4:31 pm
Nov 182023
 

The second Starship/Superheavy launched today. Vastly more successful than the first flight, but both stages were still destroyed.

This sort of thing would be unacceptable for a modern NASA launch system… but it was common in early launch vehicle development. Atlas and Titan kerploded with regularity. This sort of thing is not desirable, but it is a natural part of the learning process.

Scott Manley has done an analysis of the video and has some good suggestions about what happened with the booster. There would seem likely to be some serious issues with slosh and propellant hammer effects, caused by the sudden deceleration and flip maneuver. These are resolvable.

But beyond the technical issues and successes… this flight was simply *gorgeous.*

 

 

 

 Posted by at 4:24 pm
Nov 042023
 

Several models of the Starship Enterprise were built for the original “Star Trek” series. The most famous is the 11-foot model which was used for most of the effects shots, and *amazingly* managed to survive long enough to end up in the hands of the National Air and Space Museum. But before the 11-footer was a 3-footer. This was made early on, and was solid wood with no lighting; still, it was used in a number of shots. This model stayed in the hands of Gene Roddenberry, modified to rest on a mike stand bolted to a wooden base. This model was lent to the first special effects house during the production of the aborted “Star Trek Phase II” series in the mid-70’s… and then it vanished. Whether it was stolen, misplaced or lost has not been clear, but Roddenberry considered it to be stolen. Stuff like this that disappears stands a good chance of never being seen again. Witness many of the models made for “2001: A Space Odyssey.”

But then, the “Aries Ib” model for “2001” was found a few years ago. And as it turns out, that 3-foot Enterprise was recently found. It was in a storage unit, purchased by someone who buys such things at auction. The new owner then put it on ebay with a starting price of a mere $1000. And then Star Trek fandom found out about it and has been going nuts. The Roddenberry estate contacted the seller and the auction has been pulled.

News was revealed here:

https://www.therpf.com/forums/threads/red-alert-lost-3-ft-tos-enterprise-found.354596/

The current seller has broken no laws… it seems he just bought an abandoned storage unit. But the Enterprise remains stolen property and should be returned to the Roddenberry estate. Still… it sure seems like the seller aught to be compensated for finding this thing, even if he didn’t really know quite what he had. It’s in pretty rough shape, as can be expected. With luck it’ll receive some sort of restoration, though arguments can be made for exactly how far that should go. It should definitely be cleaned up. It’s drooping and cracked; that should be fixed. But fixing the paint and decals? I don’t know about that. Perhaps it, unlike the NASM Enterprise, should retain the appearance of years. There are some “errors” that were there from the beginning, those should stay.

It is very unlikely that this will ever see an auction. But if it does, it’ll doubtless go for Lotto-levels  of cash.

The photos from the ebay listing:

 Posted by at 10:13 pm
Oct 242023
 

I guess this is kinda cool, a dress – at least the front side of one – composed of “scales” that can change from mirror-chrome to dull metallic on command. But even though it’s made of individual scales, it does not appear to be terribly flexible, and seems likely to be uncomfortable.

Still, if it could do more than just “shiny/matte,” but actually change colors, it seems like it might have a future. Specifically… plate *actual* steel scales with this material and make practical lamellar armor that can change color. That seems like it might be an interesting fashion for the future as society continues to get “enriched.” Shiny, perhaps even golden, armor when you’re out and about, and at the flick of a switch it turns matte black when the time comes to throw down.

Sure, here it seems to be pitched at the female market. But I suggest culturally appropriating the tech and making it the Must Have Man Product of the 2030’s.

 

 Posted by at 11:51 pm
Oct 172023
 

All evidence points to the forthcoming “Snow White” live action movie from Disney being something of a train wreck. It is a remake of the 19430’s animated classic, but it’s getting rid of pretty much everything… Snow White was originally prettier than the Evil Queen, now she’s objectively “meh;” Snow White was originally a love story, now Prince Charming is wholly absent and the Snow White character seems to be devoid of any motive but personal ambition for power; Snow White had seven dwarves, now a Bennetton Ad of “magical creatures;” and originally the actress for Snow White wasn’t an insufferable doofus, now it’s Rachel Zegler. *Lots* of people have a serious problem with almost every decision Disney has made here.

But here’s the thing: “Snow White” is public domain. Anyone can make a Snow White movie.

So the conservative “Daily Wire” new outlet is doing just that. Is it going to be any good? I dunno. Honestly I’m dubious… “really high quality movies” is not something I normally associate with “politically driven media company.” And it is in a way something of a “mockbuster,” a movie made specifically to ride the coat tails of a much more expensive studio production. But it is the right way to counter Disney’s crap: do it yourself. Make an effort to show how it *should* be done.

 

The “Bent Key” production company seems to be going all-out on content creation:

I have hopes that this will work out. Not because I have any particular interest in Bent Key (first I heard of ’em was when I saw the Snow White trailer), but because if they succeed, *maybe* there’s a very slim chance of some stories getting told correctly. If they can get the rights, imagine a *proper* telling of, say, “Have Spacesuit Will Travel” or “Red Planet” or “Rocketship Galileo,” or – and this would be spectacular – “Tom Swift Jr.” I have no idea if they *want* to tell these classic SF yarns, but I do know that I don’t want legacy Hollywood to tackle them. Because they *would* (and have) screw them up to the point of mutilating them.

 Posted by at 1:36 am