Search Results : star trek: discovery

Jun 092022
 

For the past year or whatever I’ve had better things to write, but something I’ve *wanted* to write is a way to canonize “Star Trek: Discovery,” to fit it in with actual Star Trek. As is abundantly obvious, STD simply doesn’t fit in the canonical Star Trek universe. There are too many differences, from the designs of ships, to the design of species, to the history and lore, to technologies that simply don’t fit and wouldn’t exist. Without handwaving away such things as the Klingorks or the mushroom drive, how can you possibly conclude that STD is in any way canonical? I’ve got it worked out, but I don’t currently have a good way to turn it into a standard narrative story. One of my interests here – because of course it is – is to produce ship designs that actually fit into the TOS design ethic.

Here’s my basic outline of how STD fits into the TOS universe:

Michael Burnham is a crewman on the USS Shenzhou, under Captain Georgiou, about a decade before the adventures of the USS Enterprise under Captain Kirk. But here she’s an Ensign, and the ship is “canon design.” It would have the same basic layout as shown on STD, including the underside-bridge, but the components would fit in with the TOS era. It would look like something that Franz Joseph or FASA would have come up with.

She goes down to the desert planet that STD started on. As on the show, she fires a phaser blast down a dry well in order to crack the well open and allow the locals to access the water. Here’s where things start to diverge. The bottom of the well is damp and musty; when the phaser strikes and break through into the high pressure water below, a blast of damp air is shot up the well. Burnham takes the blast of wet air to the face. Nothing major, just enough to knock her over. But in that cloud of damp air are the spores of a local cave-fungus. She breathes in a snortful of them, and they promptly begin to do their thing. They invade her system, but are un-noticed during transport back to the ship.

Soon, the fungal spores invade her brain and she falls into a coma-like stupor, but her brain goes into overdrive and she begins to fantasize in a Walter Mitty like fashion. Her boring life gets transformed into one where her parents were Special Science Types until they were killed by Klingons; instead of having an undistinguished adolescence, she was raised on Vulcan by the ambassador, who in reality she once saw at the Academy and was impressed by (but who never noticed her). Instead of just squeaking by on the entrance exams, she was a Very Special Candidate for Starfleet, and instead of barely being noticed by her Captain, she was beloved… not just by the Captain, but everyone.

The ships doctors try to cure her of the mushroom infection, but only manage to suppress them and bring her around. She has suffered brain damage; the spores have bonded to the neurons in her brain and are slowly beginning to supplant them, forming their own network of mycelial synapses. She goes bugnuts and under the LSD-like influence of the shrooms, steals a shuttle and causes an incident with a nearby Klingon garbage scow. It’s a minor incident, easily and quickly patched over, but she thinks she’s started a war with the Klingons. The crew of the Shenzhou realize that she’s beyond their aid, so they contact the nearby science vessel USS Discovery to come and pick her up. On the way to drop her off at the Tantalus V mental institute, she slips further into delusion, taking in the scraps of information she has picked up about the USS Discovery and its crew and fully filling in back stories that make no sense. Thus all the constant talk she hears about “she’s being driven by spores” and “a mycelial network,” words she hears only partially and in passing while fading in and out of consciousness, are applied not to herself but the ship. By the time she is dropped off at Tantalus V, her brain has been fully dominated by the fungal network; she’s dreamed *years* of fantasies in the weeks the Discovery takes to transport her.

Something-something handwave something about Dr. Simon van Gelder at the Tantalus V facility using an early version of the neural neutralizer (“Dagger of the Mind”) to stabilize her now quite corrupted brain; psycho-tricorders (only mentioned once, I believe, in “Wolf in the Fold”) are used to read her mind and get her story from her. Her long, rambling fantasies where she is time and again the most important person in the universe and everyone loves her are recorded for academic purposes; decades later a Ferengi named Quark acquires the complete set of archival recordings and translates them into a series of holodeck programs. They become rampagingly popular across the Federation; the stories of increasingly bizarre aliens and technologies and histories begin the new fictional “sporepunk” genre, alternate histories of Federation worlds or historical characters that go basically off the rails due to the introduction of spore-based technologies. Klingons file official protests – and unofficial threats – over the slanderous way they are presented, but it’s far too late to complain to Burnham, who died long ago, one of the few sad crazy people who could not be helped by modern medical technology. The stories are of some concern to certain quiet departments of Starfleet and the Federation… how could she know about the Terran Empire? She dreamed up the holodeck and atmosphere-holding force fields decades before they were installed in Starfleet vessels. Section 31 is, perhaps oddly, *not* concerned about what she dreamed up about them. They conclude that she must have heard some rumor about them, as doubtless many Starfleet officers have, but by imagining them being a vast, well-known and fully out in the open organization, this actually gives the real Section 31 cover. After the “sporepunk holodramas” go public, any future mention or rumor of Section 31 can now be safely laughed off as having been inspired by those silly stories.

So the ships of STD exist, the configurations are there, but everything is crazy big, everything is too sharp and edgy and shiny with lens flares in an abundance explainable only by way of an optical cortex being attacked and sparking.

 Posted by at 2:27 pm
Feb 052019
 

Watch this steaming pile of entertainment product and find out!

Star Trek x RENT Parody w/ Cast of Star Trek: Discovery

Do you love musical theater AND Star Trek? Then allow us to welcome you to nirvana.Watch the full episode for free on your Apple TV app:apple.co/Carpool_Karaoke211

Posted by Star Trek on Saturday, February 2, 2019

 

Someone thought this was a good idea.

Someone who hates the Star Trek fanbase.

Someone who wants to make people cringe so hard that they collapse beyond their Schwartzchild radius.

Someone who is terribly confused about nerds.

 Posted by at 3:25 am
May 252017
 

There seem to be two primary ways to tell if a forthcoming movie or TV series is going to be bad:

  1. The released materials – photos, descriptions, clips, trailers, etc. – just look or read as “bad”
  2. The people promoting the show start putting plans in place to downplay how awful it is, or to explain away a forthcoming disaster.

With Star Trek: Discovery, we’ve had a whole lot of #1. The disregard for established continuity, the jarring design elements, the apparent lack of any actual familiarity with Star Trek on the part of the people behind the show have led a *lot* or people to conclude that this STD is gonna burn.

But now they’re entering into Phase 2. Specifically… the “Ghostbusters 2016” playbook of “let’s blame the fans:”

Racist Star Trek Fans Decry Discovery‘s Diversity, Revealing They Know Nothing About Star Trek

Yeah, that’ll certainly help fix the problem. Someone doesn’t like your show? Call them a racist or a sexist. It worked *so* well for Ghostbusters 2016.

 

 

 Posted by at 11:15 am
Jul 232016
 

First teaser for the new Star Trek TV series that you won’t be able to see next year because it’s being “aired” on “CBS All Access,” an online streaming service you have to pay six bucks a month for. The ship is the USS Discovery, NCC-1031… clearly set between “Enterprise” (NCC-01) and “TOS” (NCC-1701). And yes, the ship design is influenced by Ralph McQuarrie concept art pre-The Motion Picture.

And if you think the CGI here looks a little… well, lame, you’re not alone. Presumably they’re still working on it. Though maybe they know that given the lameass way it’s going to be shown to the public (i.e. only to a very small number of die-hard fans who either pony up the cash or download pirated versions), there’s no point in going all-out.

 Posted by at 9:06 pm
Jul 222023
 

As a followup to THIS POST, I had a half-formed idea that I posted in comments OVER HERE. I’ve decided to expand upon my idea a bit.

 

In short, people have recognized that in Star Trek, the federation – and in particular the Humans – are essentially mad scientists. Everybody else out there got from early industrialization to spaceflight over a span of millenia, carefully and painstakingly working their way up one reasonable rational step at a time. Humans, on the other hand, said “hold my beer” and charged from “I wonder if I can use steam to do work” to “maybe if I invent a faster than light drive I’ll get to bang a lot of hot chicks” in record time. This feature of humanity has been repeatedly shown in Trek, but I don’t believe it has been really called out as such, except for the occasional throwaway line. Well… what if, instead, a series leaned into the idea? A combination not just of Star Trek, but “Eureka” and “Warehouse 13” with a huge helping of “Stargate: SG1.”

 

“Star Trek: Bonkers” features Captain Liam Shaw, the best new character in Trek since The Doctor and Seven of Nine, unwisely killed off (apparently) in season three of “Picard.” Here, he has been resurrected by Federation mad science, put in command of the USS Rotwang (an Emmett Brown-class “science” vessel) tasked with researching rumors of super-science and advanced weapons that can be used to defend against existential god-level threats such as V-Ger, Organians, Q-Continuum. Episodes include:
* The one where the crew capture a rogue Q and break his mind by exposing him to the most diabolical psychological weapon yet devised: “Star Trek: Discovery.”
* The one where they accidentally shut down all fusion reactions in the Large Magellanic Cloud. That means stars, too. Whoopsie.
* The one where Emperor Kahless attempts to capture the vessel for the greater glory of the Klingon Empire. Captain Shaw zaps him with the new Trans Ray; whereupon the other Klingons tear Kahless into bits and back off from Shaw and the Rotwang, not willing to risk getting struck themselves. There are, after all, fates worse than the dishonor of retreat.
* The one where an invasion fleet of Kelvans from the Andromeda galaxy is intercepted while still 100,000 light years from Federation space… and the cubic lightyear of volume enclosing the fleet is converted from a 3-dimensional space to a natural log of 9-dimensional space.

* Based upon fragmentary documentation that survived without adequate historical context from before the Third World War, the engineers on board the Rotwang create a device that rips a hole in space which leads to a warped realm of chaos and demonic entities. A few probes are sent in, they realize the place really kinda sucks, and they close it up again. “Nope,” says the lead engineer on the project, Engineering Commodore Montgomery Scott.

*Following those events, Scotty goes on a bender. While blind drunk he creates four dimensional whisky. His first thought is “It’s green,” but in actual fact it’s an indescribable color that Man has never before encountered. As an experiment, the Rotwang taunts the Q loudly over subspace radio; one shows up and threatens to snap them out of existence. they offer him a drink first… and get him blind, stinking drunk. Then they interview him, receiving billions of teraquads of new information about reality-bending, and leave him passed out at the side of a nearby neutron star. When he wakes up he doesn’t remember what happened.

* Another Planet Killer/Doomsday Machine is discovered. It’s asleep, but seems to be waking up… and unlike the one Kirk encountered, this one is virtually pristine. There’ll be no stopping it. And since it’s neutronium, there’s no landing on it or beaming into it. So what to do? The recorded memory/personality engrams of Admiral Archers pet beagle are downloaded into it. It now wants to follow the Rotwang around like a happy puppy. This is of course a problem. Until a warp drive and massive impulse engine are bolted to a sizable moon; the warp drive knocks the effective mass of the moon down almost to zilch, which the impulse engine accelerates it at tens of G’s. Enough fuel on board to last for centuries. The Planet Killer Puppy is then told “fetch!” Asteroids control systems keep track of the PKP and maintain a constant distance, and lead the PKP on a path slowly out of the galaxy. PROBLEM SOLVED FOREVER.

* The Captain holds a contest to design, build and fly a one-man craft. It’s a race: not just to build it within a short time, but to fly ten light years out and back again. Teams from as few as three to as many as a dozen work feverishly for two weeks on their craft. But the night before the scheduled launch of the five craft that are finished, Ensign Skippy, who has not been involved, sneaks a drink of Scotty’s 4D whisky. He staggers down to the torpedo bunker and modifies a Class 8 probe and, five minutes before the race time, enters it. Everyone chuckles as he drunkenly gets in and is launched… and then promptly vanishes. The other craft go out and come back in various impressively short times, but Ensign Skippy does not return. Until he shows up for duty the next day with a pounding hangover and no recollection of the day before. A search shows that the probe is back in the torpedo magazine, the modifications burned out; sensor records show that it quietly reappeared in its rack, followed by Ensign Skippy staggering away from it and back to his quarters, two minutes before it launched.

* A new threat emerges in the Gamma Quadrant. A previously unexplored dust cloud turns out to have a single star and Earth-like planet within; the culture that evolved there has never seen another star, so they were unaware of the outside universe. Upon accidental first contact with the Rotwang due to a navigational error, the locals realize that they aren’t alone and decide that all life in the universe would have to go. Their technology, based on white servant-robots, is not particularly advanced; but evidence shows that they will very quickly become a galaxy-wide threat exceeding that of the Borg. So Captain Shaw has Scotty re-open the warp gate on the planet, spilling hellish chaos onto the place. “Let’s keep this to ourselves,” Shaw says to the senior staff as they watch from a safe distance as the entire nebula folds in upon itself, sucked into an another dimension. No report is made to Starfleet.

* Years earlier, a miniature “proto-universe” was discovered at Deep Space Nine after a ship passed through the wormhole. Given that the expansion of that universe would destroy *this* universe, such things are obviously to be avoided. So the Rotwang crew decide to see what it would take to *create* a proto-universe. Purely hypothetically. Simulated only. Not at all real. Nope. Until… “Hey, hold my beer.”

 

Any other ideas?

 

 Posted by at 10:22 am
Nov 122022
 

The Paramount/Nickelodeon series “Star Trek: Prodigy” is very definitely a kids show. The main characters are kids, the plots are generally kid-friendly, the writing is pretty much kid-level. Given how the last three Star Trek live action series – STD, STP and SNW – have all to greater or lesser degrees crapped on the legacy of Star Trek, it would be both easy and fair for an actual Star Trek fan to simply give “Prodigy” a pass. But I am becoming more and more of the opinion that prodigy, like fellow animated series “Lower Decks,” is *actual* Star Trek worthy of attention.

 

Prodigy has started in on the second half of the first season. The most recent episode, “All The World’s A Stage,” has our heroes stumbling across a primitive society that was previously contacted by the USS Enterprise under Captain Kirk a hundred years previously. As happens rather a lot in Star Trek, there was cultural contamination and the locals have picked up on Starfleet appearances, iconography, technology and ideology, though incompletely and somewhat inaccurately. But what *is* accurate: when it came time for “Star Trek Prodigy” to depict the shuttlecraft, phasers, uniforms and bridge of Kirks Enterprise… they used TOS designs. Not Discovery, not Strange New Worlds… The Original Fricken’ One And Only Series.

 

It is somewhat amazing to me that the people behind the friggen’ *cartoons* care vastly more about canon than the people with actual vast sums of money to lavish on the live action shows. While the animated series have from time to time dropped little nods to the Crap Series like STD and STP, when given the option they go with the good stuff. This indicates to me that the two animated series (three if you want to go back to the 70’s) are canonical with TOS and TNG and DS9 and VOY, while STD, STP and SNW are not.

 

The video below is by a couple of guys who arguably spend *way* too much time on this sort of thing. Here they’re geeking out over the appearance of true TOS in Prodigy. Included are a number of screenshots, including several when the bridge of the USS Protostar is holographically reconfigured to have TOS crew stations. And these guys are correct: it looks *glorious.* There was never any good reason to redo the TOS aesthetic.

 

 

 

By the way: I know a lot of people liked “Strange New Worlds.” Compared to STD and STP, it was a massive step up, but it was still a massive step down from proper Star Trek. The link to Discovery was enough to mean it’s not canonical, but the show was *filled* with evidence that SNW cannot be considered to exist in the same universe as TOS. Besides the various carryovers from STD (including the fact that the Enterprise is like 50% bigger), there are two main discrepancies within SNW:

 

1) They run into the Gorn, again and again. They’ve had direct interactions with them, met them face to face, have detailed scans and biological samples. This is around ten years before Kirk & Co. were supposed to have run into the previously wholly unknown Gorn for the very first time.

2) The season finale had Captain Pikes mind projected into an alternate future where he was still captain of the Enterprise during the TOS “Balance of Terror” episode. In the end, his mind is returned to the “present,” and he decides to choose a path that won’t lead to that divergent timeline. Great, wonderful. But… he *remembers* that timeline. The McGuffin that permitted the time travel, a Klingon “time crystal,” is a previously established thing that Starfleet is fully aware of. So doubtless Captain Pike will promptly file a report. A report that will tell Starfleet that:

A) The Romulans are a Vulcan offshoot

B) The Romulans are working on their plasma weapon

C) The Romulans are working on a practical cloaking device, and methods to detect it

D) The Romulans will attack this, that and the other outpost on such-and-such dates.

 

In the SNW universe, when “Balance of Terror” does eventually roll around, that Romulan warbird will get blown to smithereens the moment it first drops its cloak, because Starfleet will have had a decade to prepare. So, no… SNW is not in the TOS universe.

 Posted by at 11:08 pm
May 052022
 

The headline should come as no surprise, since it follows the events of Star Trek Discovery. However, there was always the possibility that the producers would make some effort to rectify the many, many mistakes and oversights of STD, but… nope. While it is too early to judge whether or not the show is any good, given the people behind it are largely those responsible for STD and STP, skepticism about it emerging as anything but lamentable trash is warranted. That said, several details about the show make it perfectly clear that it is not set in the same continuity as “Star Trek:”

1: The Gorn are discussed. Given that this show is set more than a decade before TOS, and the Gorn weren’t known to the Federation until Kirk & Co. ran into them…

2: Some history of Earth was dropped: the January 6 2021 Capitol hijinks are shown, and described as a prelude to “the second Civil War,” which led to the Eugenics Wars, which led to World War III. Since the Eugenics wars occurred in the 1990s, it would be tricky for events from 2021 to cause them.

3: A star chart lists the planet “Sarpeidon,” a world that won’t be encountered until Kirk & Co. get there more than a decade later. Given that the planet has a fully functional time machine program that winds up sending the *entire* planetary population elsewhen, the existence of Sarpeidon would have been either one of the biggest military centers of the Federation, or one of the biggest secrets; all the time travel monekymotions of STD Season 2 could have been dispensed with.

On more subjective fronts, none of the characters that carry through from TOS seem to be at all the same characters, just people with the same names. Nurse Chapel, in particular, seems a completely different person. Spock and T’Pring are shown together… and T’Pring proposing marriage to Spock is shown, an odd thing given that theirs was a marriage arranged by their families when they were children, and then they didn’t really have much to do with each other. T’Pring seems quite un-Vulcan as well. The Enterprise itself  is an entirely different ship, far more generic sci-fi-flashy and far less character-filled than the classic. The bridge is unrecognizable… much bigger, with a *huge* window up front rather than the somewhat dinky viewscreen from the original.

All in all… unsurprising.

 Posted by at 10:08 pm
May 052022
 

The Roddenberry Archive recreates Star Trek’s 1964 Pilot episode as a life-size holodeck simulation

A project is underway to digitally recreate the *entire* USS Enterprise, inside and out. What’s more, it’s not one static version, but shows how the sets evolved from the first pilot through the series, and includes the “refit” version from the Motion Picture and seemingly on up to Undiscovered Country (as well as the other Enterprises from NX-01 up to the J-model, the Shuttle, the aircraft carrier, the “ringship,” the Robert McCall version designed for the unmade “Planet of the titans” TV movie, the Phase II design… but *not* shown is the mutant horrible version from Woketrek, or the JJPrise). The results look pretty fricken’ awesome. Shows what can be accomplished if you actually care about the source materials (take note, hacks behind STD and STP).

How exactly regular schmoes like us will make use of the final products is not explained very well. It nevertheless looks damn impressive.I doubt that the computer models will be made accessible to the public, but if they were… you’d be able to 3D print every single version of the Enterprise bridge in whatever scale you like. You’d be able to print off each and every prop.

The actress they scanned to recreate Yeoman Colt from “The Cage” is not an exact duplicate, but she’s impressively close and immediately recognizable. Contrast with what Star Trek Discovery did to poor Colt:

Remember, the Talosians brought Colt to Pike and suggested that he mate with her because, in short, she was young and attractive. Ummmmm… Maybe that spike-faced Jem Hadar-lookin’ dame is a hottie among her kind, but that is *not* a face to attract a human male.

Sadly, actress Laurel Goodwin, who portrayed yeoman colt, died just a few months ago.

 Posted by at 12:01 am
Apr 192022
 

In looking up the latest news about the war in Ukraine, Google News decided I needed to see this:

Netflix saves scrapped show helmed by Star Trek: Discovery boss

In short: CBS had a pilot and decided not to go forward with the show, but Netflix picked it up. The pilot was helmed by one Jordon Nardino, a “co-executive producer” on Star Trek: Discovery. This show now to be produced by Netflix is described thusly:

Coming to Netflix: Miss Benny (they/them/theirs) will star in GLAMOROUS as Marco Mejia (he/him/his), a young gender non-conforming queer man whose life seems to be stuck in place until he lands a job working for a legendary makeup mogul.

Uh huh. This explains a *lot* about modern Star Trek and why it sucks so badly and is so unlike actual Star Trek. In Star Trek: TOS, it was made abundantly clear that mental illness was almost entirely eliminated, with the Federation having something like 15 incurable nutballs until some new medicine comes along that cures even them. In all actual Star Trek, what is celebrated is someone trying to actually do something meaningful and useful with their lives. This new Netflix show is the polar opposite… as are modern debased Star Trek.

 Posted by at 12:35 pm