I’ve posted some stuff on ebay… an Atlantis 1/72 AH-56 Cheyenne model kit; E-Wing and TIE Defender “Action Fleet” ships; Diamond Select/Art Asylum Classic Tricorder, Classic Science Tricorder and Classic Medical Tricorder.
https://www.ebay.com/itm/256415910192
https://www.ebay.com/itm/256415908169
https://www.ebay.com/itm/256415908230
https://www.ebay.com/itm/256415908285
https://www.ebay.com/itm/256415908336
https://www.ebay.com/itm/256415908399
This AM I took Buttons to the vet yet again. X-Ray showed something I really wish it hadn’t; I’m left waiting for a few hours while they do more detailed looking to see if it is indeed cancer. If it is… doesn’t seem like there’s much left to do. The bill is already high, so it’s time to raise funds.
Who wants a “Standard Issue Agent Sidearm” replica from “Men In Black,” made by Factory Entertainment over a decade ago. It’s solidly made from aluminum with working sound & lights. This is a full-scale replica, fairly heavy and actually feels almost like a real sidearm. None currently on ebay; I’ve seen them go for over $800. I’ll let this go for $600 plus postage. If interested, send me an email or comment below. If someone wants to offer more than $60, I’m certainly open to that.
About 20 years ago I got it into my head to write a screenplay: an update of “When Worlds Collide,” based on the book from the 1930’s not the movie from 1951. When originally written, the question was “can we build a rocketship to fly to another planet?” My rewrite would set it a century later (mid/late 2030’s), when the question would be “how many rocketships can we build?” The arks would go not just to Bronson Beta but also to Mars, the Moon and asteroids, all of which would have already been visited by that point anyway. Nations, billionaires, corporations, organizations all slapping together ships of all sizes, to launch as many people, plants and critters as possible. The story would be otherwise much the same as the book.
The sequel, “After Worlds Collide” would remain possible. In the original, the Nazis and the Commies join forces to build their own ark and continue to be dicks on the new world. In my update, their place would be taken by, say, the ChiComs and the Jihadis… but again the story would be similar. One American ark lands on the new world, which they find to have once been populated, the original inhabitants having left a number of domed cities behind. The new world ends up in solar orbit, but an elliptical one… as far out as Mars, not quite as close in as Venus. So those domes cities will come in *damned* handy. But there are arks all over the place, with some working together, others working to take over.
Sadly, I never got around to writing the screenplay. News broke that Spielberg wanted to do a remake of his own and the idea of me writing a competing screenplay became monumentally stupid. Still, I’ve never forgotten the idea and I still think it has merit.
Well, *some* of our jobs:
Pink-haired Aitana Lopez is followed by more than 200,000 people on social media. She posts selfies from concerts and her bedroom, while tagging brands such as hair care line Olaplex and lingerie giant Victoria’s Secret.
Brands have paid about $1,000 a post for her to promote their products on social media—despite the fact that she is entirely fictional.
So… do we care?
If we are an influencer, sure. But this is one of the more socially worthless “jobs” out there. They add nothing to society; they learn few skills or trades useful for other more practical forms of employment. If all “influencers” were suddenly unemployed, there’d be tens/hundreds of thousands of talentless hacks suddenly dumped into the job market, competing for burger flipper roles against millions of new migrant voters. Sucks for them, I suppose.
But after the “influencers” will come the TV news anchors, actors, singers. Some have argued that people will prefer actual humans to AI for such things, but evidence is mounting to the contrary. And at some point soon (if not already) it’ll be impossible to tell the difference, and *very* difficult to confirm that an AI isn’t real, especially if those controlling it want people to think said AI is a real person.
Today’s Silicon Valley billionaires grew up reading classic American science fiction. Now they’re trying to make it come true, embodying a dangerous political outlook
This was written by Charles Stross, a sci-fi author whose work I tend to like. I kinda understand why he has reached the conclusion that he has… a *lot* of his work is heavily Lovecraftian, with the universe laden with horrible, horrible things. If you believe that the universe truly is filled with cosmic horrors just waiting at the edges for some fool to go poking at them, then of course you’re want to prevent people from pushing forward. You will, instead, live by this quote from Lovecraft himself (from “The Call of Cthulhu”):
“The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.”
But the thing is… those horrible things are out there anyway. You can’t hide from them. They’ll come and getcha. If we are to avoid colonizing space because “imperialism” is wrong, then we’ll be simply stepped on by the next imperialist species over. If you are afraid of the consequences of AI – and there are valid concerns – taking that tech away from Our Guys and leaving it in the hands of the likes of the Chinese Communists *guarantees* that some form of AI is going to come along and take a giant dump on us. If you want to stop “eugenics” because there’s been some bad history and because it could maybe lead to bad things, you’re stranding us in the reality we’re now facing of ongoing dysgenics which is *already* screwing society.
In particular the argument against space colonization is just vacuous and insane. The benefits are damn near infinite. The risk are comparatively minimal. If over the next millennium we lose a million habitats to a hard learning curve, taking with them a trillion lives… it will be a small price to pay to bring life to a trillion worldlets just within this single solar system.
Yeah, sci-fi provides warnings of potential bad futures. But it also provides innumerable examples of futures we *want* to bring about. Focusing solely on the dystopias of sci-fi is black-pilled doomerism at its worst. For every “1984” or “Brave New World” or “Star Trek Discovery” that show horrible worlds filled with horrible people living in horrible societies, there are “2001” and “Star Trek” and “Star Trek the Next Generation” and “Stargate SG-1” and “The Orville” and even “The Expanse.” The thing is… “bad” always sells better than “good,” because “bad” tends to have more interesting drama. Imagine any sort of plotline. What’ll be more interesting, or at least easier to write interesting: the story without some sort of villain or disaster, or the one where there aren’t such antagonists? A movie about, say, an architect designing and building his dream building, whatever it might happen to be, will almost certainly have competitors trying to sabotage it, or bureaucrats grinding it down, or local activists trying to stop it, or earthquakes, storms, floods, fires, asteroid impacts or alien invasions trying to trash it. So the fact that sci-fi – like *every* literary genre – includes Very Bad Things from time to time is no reason to avoid trying to see the best of sci-fi brought to life, anymore than heartbreak and rivals in romance stories are reasons to avoid trying to find love.
I recently re-watched the 1998 movie “Pleasantville.” For those unaware, this starred a pre-Spiderman Tobey McGuire as a kid who’s a fan of the fictional 1950’s black and white TV show “Pleasantville,” sort of a cliche of the bland, utopian family shows of the time. It turns into a fantasy when Don Knotts shows up as a TV repairman who gives Tobey’s character a magical remote that zaps Tobey and his sister, played by Reese Witherspoon, into an episode of “Pleasantville.” There everything is in black and white, the world is *extremely* limited, and the other people are devoid of curiosity or initiative, just fulfilling their roles. The two new people begin to add a note of chaos to things, and in the process the characters begin to have awakenings… and color seeps into the environment. A flower here, a tongue there, and soon signs, trees, cars and whole people are appearing in glorious technicolor as they realize that there’s more to life than their roles. It’s an amusing fantasy that I first saw in the late 90’s, and last saw probably more than 20 years ago.
But upon rewatching it… I’ve decided it’s not just some lighthearted fantasy. It’s a sequel to “Tron.”
The “TV show” is a simulation based on the old TV show. The characters are actual NPCs, nonsentient avatars just going through their programmed motions. The “magic remote” is a much more advanced version of the laser “scanner” from “Tron,” and it uploads the two new users into the Pleasantville grid. The simulation is capable of learning and growth, and the non-sentient NPC slowly, and sometimes quickly, come to awareness. And when characters or objects get a resolution increase, they go from black and white to color. At the end, the simulation expands: previously, when you went to the end of Main Street, you found yourself at the beginning of Main Street: the simulated universe was at best a few miles across. but now there is a college in the town of Springfield, 12 miles away. The simulation is growing.
I assume Don Knotts is a former employee of Encom, likely a friend and co-worker of Kevin Flynn. In “Tron: Legacy” Flynn is stated to have disappeared in 1989, and we find out that he’d been stuck in a simulation of his own ever since. In 1982’s “Tron,” the laser scanner was the size of a building; by 1989 it was portable enough to be installed in a basement. I guess Knotts, who was clearly enough of a fan of the old “Pleasantville” show to have created a simulation based on it, had continued development to the point where the scanner was now hand-held. Throughout the course of the movie it’s shown that he stays in a “TV Repair” van outside the real-world house of the two experimental subjects; perhaps the scanner is connected to the actual simulation hardware contained within the van through a wifi system.
At the end of the movie, Tobey returns to the real world, while his mean-girl, vapid and slutty sister stays behind: she does so because she, too has come to an awakening, and is now going to the college that appears at the end of the movie. Since several days had passed within the simulation while less than and hour had passed in the real world, the sister should be able to get a fair education in relatively short real-world time; of course, the education will be uncredentialed. But it’s better to be educated than not, regardless of whether you can prove it with paperwork. On the other hand… at the end Knotts drives away, presumably taking the simulation with him. How will Tobey get back into it? How will his sister get out? How will they communicate? These are left unanswered
A common trope in science fiction is the discovery of “an element that does not appear on the periodic table.” This is of course nonsense… if the element has three protons, it’s lithium, full stop. And we’ve discovered – or invented – every element up to Element 118, Oganesson. These higher elements are quite unstable, generally having half lives of microseconds to minutes… but there is a suspected “island of stability” with some of these heavier elements if you can nail the isotopes correctly. Which nobody has.
But even if you can reliably manufacture the stable versions of these heavy elements on an industrial scale, the likelihood of them being useful to make spaceships or battle armor is low… and they’d still appear on the periodic table. Their physical properties probably won’t be that terribly interesting. Oganesson, for example, melts at a boring 52 C/125 F, and has a density of only 7.2 gm/cubic cm.
But Amazing Materials are terribly useful in science fiction. Witness Star Trek’s “dilithium,” a crystal that somehow or other allows matter-antimatter reactions that are controllable and useful. In Babylon 5 there was Quantium 40, necessary for the construction of jumpgates. So what the hell are these?
I kinda recall that “Quantium 4o” was just bog-standard potassium-40 that had been close enough to a supernova to be *somethinged,* and changed at the quantum level *somehow,* resulting in a material that does Amazing Things. How about dilithium? Well, dilithium is a real substance…. just a molecule with two lithium atoms bonded together in the gas phase. It’s clearly not the same thing as Trek’s “dilithium crystals,” and certainly not the later “trilithium resin” which has the interesting property that a few grams of the stuff can cause all fusion to cease in a star moments after it’s dropped in.
So… what the hell are Trekkian “dilithium,” or “vibranium” or “adamantium” or “byzanium” or “naquadah?” A century or more ago, fabulous new elements like “cavorite” could be thrown in without issue, because the list of known elements was massively incomplete. We can’t do that today.
In general, unless it’s important to the story, there’s neither need nor benefit to explaining such details in a story… it just exists. But now we know that there are no slots in the periodic table for new elements, so introducing them raises questions. So how to create actual new elements?
Honestly… I don’t know. But I’ve got an ill-formed probably crappy idea.
Take “dilithium.” Clearly “lithium” has something to do with it. Presumably *two* lithiums, given the name. If you simply stick two lithium atoms together, you get the previously mentioned uninteresting real-world “dilithium.” If you mash the lithiums together hard enough that the nuclei bond together, you no linger have lithium, you have carbon. This is just the way it is.
But while we can’t really posit new elements, we *can* posit the discovery, creation, utilization of new particles. We’re not done discovering such things. So *perhaps* there is a particle that can, say, replace neutrons in a nuclei, fullfilling the same function of gluing the protons into place. But they have a different effect on the electron shells. Perhaps to the point where two lithium nuclei so modified will actually stick together, but not actually fuse into carbon. Sort of a contact binary nuclei. Or these mystery particles are simply added to the neutrons and protons; being the same mass as a proton, if you add six of these new particles to a lithium atom you double the mass… thus di-lithium. These modified atoms would undoubtedly have very different properties from the regular stuff… properties the writer can simply declare. Adamantium, for instance, is a modification of helium; this turns it into a metal that, apparently, melts at a low temperature *once*, but when it solidifies it becomes not only insanely hard and tough, its melting temperature shoots way up.
In recent years one of the more popular fictional elements is “unobtanium” from “Avatar,” a room temperature superconductor. This *has* to be a new pseudo-element, rather than an alloy or compound. Because if it was the latter, a technological species with the ability to create antimatter-powered relativistic starships could simply synthesize the stuff. There’d be no need to mine it light years away. But if it was a material made from exotic particles… shrug.
Several models of the Starship Enterprise were built for the original “Star Trek” series. The most famous is the 11-foot model which was used for most of the effects shots, and *amazingly* managed to survive long enough to end up in the hands of the National Air and Space Museum. But before the 11-footer was a 3-footer. This was made early on, and was solid wood with no lighting; still, it was used in a number of shots. This model stayed in the hands of Gene Roddenberry, modified to rest on a mike stand bolted to a wooden base. This model was lent to the first special effects house during the production of the aborted “Star Trek Phase II” series in the mid-70’s… and then it vanished. Whether it was stolen, misplaced or lost has not been clear, but Roddenberry considered it to be stolen. Stuff like this that disappears stands a good chance of never being seen again. Witness many of the models made for “2001: A Space Odyssey.”
But then, the “Aries Ib” model for “2001” was found a few years ago. And as it turns out, that 3-foot Enterprise was recently found. It was in a storage unit, purchased by someone who buys such things at auction. The new owner then put it on ebay with a starting price of a mere $1000. And then Star Trek fandom found out about it and has been going nuts. The Roddenberry estate contacted the seller and the auction has been pulled.
News was revealed here:
https://www.therpf.com/forums/threads/red-alert-lost-3-ft-tos-enterprise-found.354596/
The current seller has broken no laws… it seems he just bought an abandoned storage unit. But the Enterprise remains stolen property and should be returned to the Roddenberry estate. Still… it sure seems like the seller aught to be compensated for finding this thing, even if he didn’t really know quite what he had. It’s in pretty rough shape, as can be expected. With luck it’ll receive some sort of restoration, though arguments can be made for exactly how far that should go. It should definitely be cleaned up. It’s drooping and cracked; that should be fixed. But fixing the paint and decals? I don’t know about that. Perhaps it, unlike the NASM Enterprise, should retain the appearance of years. There are some “errors” that were there from the beginning, those should stay.
It is very unlikely that this will ever see an auction. But if it does, it’ll doubtless go for Lotto-levels of cash.
The photos from the ebay listing:
1/25 scale USS Enterprise, with complete interior. I don’t know where in the hell he’s gonna put it, but I applaud the effort. It’s made out of cardboard and paper, so its lifespan likely won’t be that long, sadly.
What he says is interesting… mostly because it’s not what I generally expect to hear from non-sci-fi/non-science types. Most of “those people” look at “2001” with some mix of bafflement and disdain, generally bored out of their minds.