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Jan 052024
 

United Nations moves to stop Alabama from carrying out America’s first nitrogen gas execution

“U.N. experts argue there has been no evidence to suggest that nitrogen gas would not “result in a painful and humiliating death.””

 

Oh FFS.  Nitrogen asphyxiation has been dangerous in industry specifically *because* it’s painless. If you find yourself in a volume filled with carbon dioxide – a small room, a tank of some kind, whatever – you are *instantly* going to know it. Your lungs will object, you’ll cough, you’ll hold your breath… and you’ll try to get the hell out of there. If you find yourself in a volume filled with *poison* gas, you’ll try to evacuate even faster. But nitrogen? You feel nothing. Your lungs are used to nitrogen… about 80% of every breath you take is nitrogen. You’ll continue to breathe it in, and continue to expel oxygen with each breath, rapidly getting rid of the oxygen in your blood as you continue to respire normally, until you rather quickly slip into a peaceful unconsciousness, and soon *die.*

 

All evidence points to nitrogen being a peaceful and painless way to go. And consequently one of the less humiliating, unless you find not thrashing about and screaming in pain and terror humiliating. I imagine the actual goal is to simply stop executions, rather than having any legitimate objection to nitrogen. Because if this is carried out and shown to be what history has shown it should be – effective and painless – other governments might adopt it. Given that unlike lethal injection it quires little skill – just strapping on a mask, rather than finding veins and jamming needles into them – and uses cheap and easily available nitrogen gas rather than difficult to obtain chemicals, nitrogen executions should be relatively inexpensive. One argument might be that this will incentivize bad governments to execute more; but bad governments have little trouble with just shooting people they don’t like. The counterpoint is that taxpayers shouldn’t be overly burdened if clearly easier alternatives are available.

 Posted by at 3:32 am
Dec 312023
 

Well, *some* of our jobs:

AI-created “virtual influencers” are stealing business from humans

Pink-haired Aitana Lopez is followed by more than 200,000 people on social media. She posts selfies from concerts and her bedroom, while tagging brands such as hair care line Olaplex and lingerie giant Victoria’s Secret.

Brands have paid about $1,000 a post for her to promote their products on social media—despite the fact that she is entirely fictional.

So… do we care?

If we are an influencer, sure. But this is one of the more socially worthless “jobs” out there. They add nothing to society; they learn few skills or trades useful for other more practical forms of employment. If all “influencers” were suddenly unemployed, there’d be tens/hundreds of thousands of talentless hacks suddenly dumped into the job market, competing for burger flipper roles against millions of new migrant voters. Sucks for them, I suppose.

 

But after the “influencers” will come the TV news anchors, actors, singers. Some have argued that people will prefer actual humans to AI for such things, but evidence is mounting to the contrary. And at some point soon (if not already)  it’ll be impossible to tell the difference, and *very* difficult to confirm that an AI isn’t real, especially if those controlling it want people to think said AI is a real person.

 

 Posted by at 7:38 pm
Dec 232023
 

Tech Billionaires Need to Stop Trying to Make the Science Fiction They Grew Up on Real

Today’s Silicon Valley billionaires grew up reading classic American science fiction. Now they’re trying to make it come true, embodying a dangerous political outlook

This was written by Charles Stross, a sci-fi author whose work I tend to like. I kinda understand why he has reached the conclusion that he has… a *lot* of his work is heavily Lovecraftian, with the universe laden with horrible, horrible things. If you believe that the universe truly is filled with cosmic horrors just waiting at the edges for some fool to go poking at them, then of course you’re want to prevent people from pushing forward. You will, instead, live by this quote from Lovecraft himself (from “The Call of Cthulhu”):

“The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.”

But the thing is… those horrible things are out there anyway. You can’t hide from them. They’ll come and getcha. If we are to avoid colonizing space because “imperialism” is wrong, then we’ll be simply stepped on by the next imperialist species over. If you are afraid of the consequences of AI – and there are valid concerns – taking that tech away from Our Guys and leaving it in the hands of the likes of the Chinese Communists *guarantees* that some form of AI is going to come along and take a giant dump on us. If you want to stop “eugenics” because there’s been some bad history and because it could maybe lead to bad things, you’re stranding us in the reality we’re now facing of ongoing dysgenics which is *already* screwing society.

 

In particular the argument against space colonization is just vacuous and insane. The benefits are damn near infinite. The risk are comparatively minimal. If over the next millennium we lose a million habitats to a hard learning curve, taking with them a trillion lives… it will be a small price to pay to bring life to a trillion worldlets just within this single solar system.

 

Yeah, sci-fi provides warnings of potential bad futures. But it also provides innumerable examples of futures we *want* to bring about. Focusing solely on the dystopias of sci-fi is black-pilled doomerism at its worst. For every “1984” or “Brave New World” or “Star Trek Discovery” that show horrible worlds filled with horrible people living in horrible societies, there are “2001” and “Star Trek” and “Star Trek the Next Generation” and “Stargate SG-1” and “The Orville”  and even “The Expanse.” The thing is… “bad” always sells better than “good,” because “bad” tends to have more interesting drama. Imagine any sort of plotline. What’ll be more interesting, or at least easier to write interesting: the story without some sort of villain or disaster, or the one where there aren’t such antagonists? A movie about, say, an architect designing and building his dream building, whatever it might happen to be, will almost certainly have competitors trying to sabotage it, or bureaucrats grinding it down, or local activists trying to stop it, or earthquakes, storms, floods, fires, asteroid impacts or alien invasions trying to trash it. So the fact that sci-fi – like *every* literary genre – includes Very Bad Things from time to time is no reason to avoid trying to see the best of sci-fi brought to life, anymore than heartbreak and rivals in romance stories are reasons to avoid trying to find love.

 Posted by at 6:06 pm
Dec 182023
 

Movie and TV remakes are often garbage. But covers of songs? Sometimes the remake is a triumph. Some examples:

 

“My Body Is A Cage” by Arcade Fire, then covered by Peter Gabriel.

“Smooth Criminal” by Michael Jackson… then perfected by Alien Ant Farm.

 

“Hurt” by Nine Inch Nails. It was good… but what Johnny Cash did with it is astonishing.

 

“Tainted Love” by Gloria Jones from 1964 was utterly eclipsed by “Soft Cell’s” 1981 cover.

 

Cylon and Garfunkel’s “Sound of Silence” is peak 60’s pretentiousness. But Disturbed’s remake kicks substantial ass.

 

David Bowie’s “Heroes” is OK. Peter Gabriels’ cover gives it emotional depth wholly lacking in the original.

 

And… what the heck. “All Along The Watchtower” by Bob Dyna was meh, the Jimi Hendrix cover was pretty good, but Bear McCreary reworked it into the best season-ending cliffhanger music ever.

 

 

 

 Posted by at 4:03 am
Dec 112023
 

Long story short: I’ve been a *casual* watcher of “Dr. Who” for 40+ years. From watching it from time to time on PBS back in the 80s – the Tom Baker era, mostly – to catching the revived version in more recent years, I would generally find it amusing if somewhat baffling. The fact that not only was it stories set over multiple episodes, meaning you’re in the dark if you’ve missed any, but that it was terribly *British* meant that it just didn’t quite hit for me. But still, I liked it well enough, and I respect the IP and the fandom.

But not everyone respects the IP or the fandom. This includes the makers of the show these days.

One thing I could always expect from any iteration of The Doctor would be that he was some flavor of “British Man.” Generally some variant of the Brit known as the “boffin,” a weird eccentric science type. But then came the “insufferably smug British woman” variant of the Doctor. And next up… gay sub-Saharan African Doctor, which seems to be meant specifically to annoy the long-time fans. So, yeah, I haven’t felt the urge to watch Dr. Who in a good long while. Recent events have not changed that. In fact, recent efforts by the makers of the show to gaslight fans of the show make me actively uninterested.

The latest nonsense has been the race swapping of historical figure Isaac Newton. For a British show to *intentionally* replace an important English historical figure with an Indian actor seems at best odd, at worst part of a wider ongoing and undeniable effort to replace the English within their own history. But the people behind this have themselves a new strategy to defend their decisions from those who don’t like it:

‘Doctor Who’ Casting Director Responds To Criticism Of Race-Swapped Isaac Newton: “It’s Sad That We’re In A Time Where People Villainise Minorities”

Behold: pointing out that Newton was English, or Cleopatra was Greek, or Hannibal was Phoenician, has gone from merely being a racist position to now “villainizing minorities.” If you say that so-and-so wasn’t black or Indian or whatever, you are now equating blacks or Indians or whatever with criminals. It is dishonest, it is unhinged, it doesn’t make sense, but it’s what they’ve got.

That’s their argument against those who point out the folly and malignity of race swapping historical figures. What’s their argument *for* doing this? The Dr. Who casting director says:

“It then becomes even more important to give people a voice and for people to be represented, especially for young people growing up who might be trans or from any minority. If they can see themselves on screen, then that can be a huge lifeline for some people. That can make them feel part of the world, which indeed they are.” … “Growing up as a gay man, I’m as aware as anybody else of how this stuff makes you feel when you see it. “

Uh-huh. So he likes to see his little subset “represented.” But he somehow doesn’t understand – or pretends not to – how a large *majority* of people do not like to watch their “representation” getting not just erased, but culturally appropriated and colonized by outsiders who didn’t earn it, don’t deserve it and don’t fit in it.

 Posted by at 6:27 pm
Dec 042023
 

The Case of the Missing Vega AVUM Propellant Tanks

Turns out two of the propellant tanks for the fourth stage of the final Vega launch vehicle – a European launcher that first flew in 2012, designed for small payloads – went missing. That’s kinda inexcusable and inexplicable. But at least they found them. That’s good, right? Well…

 

They had been crushed and were found alongside metal scraps in a landfill.

Whoopsie.

Even better: as this is the *last* flight of a Vega, the production lines are long since shut down. So in order to pull off the planned 2024 launch, either tanks from pre-2012 ground tests will be scrounged – assuming they’re still in good enough shape – or a whole different unqualified-for-Vega upper stage will be used.

 

Maybe just fly on a Falcon.

 Posted by at 8:39 pm
Dec 032023
 

Black and white concept art, Rockwell illustration from the early 70’s represents the almost-final B-1A configuration, from back when being very supersonic was the goal rather than being stealthy at low altitude. Most obvious differences between this and the as-built B-1A are the ride control vanes (the small canards) and the discontinuity in sweepback angle between fixed and movable portions.

 

 

The full image  has been made available as a thank-you to APR Patreon and Historical Documents Program patrons at the $4 and above level, placed in the 2023-12 APR Extras . If interested in this piece or if you are interested in helping to fund the preservation of this sort of thing, please consider becoming a patron, either through the APR Patreon or the Monthly Historical Document Program.

 Posted by at 8:54 am
Dec 022023
 

On one hand, the utility of this ad for selling Chevy’s seems limited. After all, it doesn’t tell you much about how they perform or what they cost, though there is the suggestion that they can last a long time. On the other hand, the nature of the ad is such that people will be talking about it (and they are), and any publicity is good publicity. On that latter score it’s a remarkably effective ad, very effectively mastering the “holiday tearjerker” trope. If this *doesn’t* work you up a little, I can only assume that “Jurassic Bark” left you unmoved and the Iron Giant’s final “Suuupermannn” was met with a shrug.

 

 Posted by at 4:31 pm
Nov 252023
 

A late 1950’s project from Fairchild Aircraft for a STOL aircraft, the M-232. The propulsion system was fixed, but the wings were given large flaps that would direct the bulk of the propwash more or less downwards. Coupled with the extreme nose-up attitude on the landing gear, this would almost be enough for vertical takeoff and landing. An aircraft like this would be used in a role much like that of the OV-10 Bronco.

This came from a series of articles that have been scanned and made available as “Extras” to APR Patrons and subscribers at the $11 and up level. If you would like to help fund the acquisition and preservation of such things, please consider signing on either for the APR Patreon or the APR Monthly Historical Documents Program.




 

 

 

 

 Posted by at 11:50 pm